Banner Articles Industry Alert Hot Shots Photo Gallery Message Boards Visit Our Advertisers: Clarke Systems Estimate Software International Sign Assoc. Matrix Payment Systems American RENOLIT Corp SGIA Specialty Graphics Imaging Assoc

There is no perfect system or substrate; you will have to pick what is most affordable for your budget, skill level and the applications you need to produce. In closing, I will discuss why printing on textiles is the fastest growing segment of the printing industry.

Inks
Disperse dyes are the most widely used inks for graphic fabric printing. Low-energy disperse dyes are the most commonly used version and are typically referred to as dye sublimation inks. Using the digital process, these inks are applied to paper first and transferred to a polyester substrate using heat. When exposed to high temperatures, dye sublimation ink will turn into a gas (sublimate), which allows it to move from the transfer paper into the interior of the polyester fiber. Upon entering the fiber, the dye cools and becomes trapped as it returns to a solid state.

Medium- and high-energy disperse dyes are also available. These are often applied directly to the fabric. In this case, heat is used to open the pores of the polyester fiber and drive the dye into the interior. This type of disperse dye can be more difficult to apply but will likely provide a higher level of colorfastness to light.

Higher energy inks often don't cure completely, and it is recommended to wash a direct-dispersed textile to remove any uncured color. This step is typically skipped in the graphics world and most customers adjust profiles to minimize the issue and accept that there will be some ink floating around the fabric.

Latex, solvent and UV inks attach using a binder. They all glue ink to the fabric. Latex is the best of the three as the color pops and will not change the feel of the fabric. The worst is solvent. All three can be scratched, and washing printed fabric is not recommended with any of these solutions. One benefit, however, is they will print on natural fabrics such as cotton. Reactive and acid inks are used in home furnishings and apparel in addition to flags produced on nylon for long-term use.

Fabrics
Polyester is king as far as fabric signage. Polyester comes in various weights, opacity, stretch and styles. It can be produced with stretch, blackout opacity, see-through, etc. Natural fabrics are not very common, but as pigments and fabric coating improve, I suspect this will change. The two types of construction most commonly used are woven and warp knits. Woven will provide a more opaque fabric, which is ideal for backlit display. The disadvantages with woven are that it can fray and needs to be sewn or sealed by heat. Woven also tends to not be very stretchy. Warp knits - more commonly used - tend to be manufactured with stretch in various degrees to meet the needs of the hardware structure. They are also easier to finish and display.

Equipment
When deciding on equipment, there are many things to consider. If you need a printer that can print on textiles and other substrates, such as vinyl, the answer is easy - go latex. UV would work on fabric, but you will get a harsh smell due to inks not curing, unless a heavy coating is applied. On fabric, UV inks get trapped around the fibers, and what the lights do not see, they cannot cure. Solvent will have very little pop and the worst feel.

Direct printers can use either dye sub ink or dispersed dyes. Direct printers can be manufactured to have the heat press built in, which is a major benefit if you are limited on space or budget. It allows you to purchase just one machine and material costs are cheaper. They also tend to be much easier to use for beginners.

To prepare fabric for direct printing, it is coated with an anti-migrant. It only raises the cost of the fabric by 1-2 cents per square foot but eliminates the need for transfer or tissue paper. For low volume print requirements, it is easier to print one job and take it directly to finishing. The drawback is that the speed of the heat press is determined by print speed, which can vary. This could affect consistency. Many of these units use high air instead of a drum; they look and heat like a toaster oven. Some manufacturers have gone to drums or plates to heat the fabric, which is a better option. The high air heating is the most inconsistent way of fixation and could mist the ink, causing a bloom effect on the print.

The second way to print direct is to have a secondary heat press or fixation unit. While you would still save on the transfer paper, you would need tissue paper. This solves the issue of inconsistency due to heating or ink blooming and would allow one heat press to take care of multiple printers. If you are printing backlit or flags, direct will provide better, deeper penetration of the ink. On flags, it is desirable to have the image pass through the fabric to give a mirror image on its backslide. Direct can achieve almost 100% pass while transfer only achieves about 70%. Direct printing would also produce a richer look for a backlit since it will penetrate the fabric deeper.

Transfer will provide better resolution and color accuracy, but with the improvements of fabric coating, this difference is minor today. Transfer is easier if you are printing on many types of fabrics. It will save waste and makes it easier to change between fabric styles. It is also faster for printing multiples of the same original or large runs. If a mistake occurs, it is cheaper to waste paper than fabric. It is important to note that there are a number of 5-meter printers coming onto the market. Currently, transfer paper is only available for 3.2 meters, so direct would the only way to go.

Finishing
This is the scariest part of textile printing. Sewing is the most common way to finish fabric. A basic sewing machine would work fine, and there are plenty of industrial sewing machines on the market. The first stop in the process is cutting the fabric. The cheapest and easiest way to cut fabric is to use a scissor or knife, which leaves a rough edge. If it is a woven fabric, it will fray. Another method, a hot knife, will cut and seal the fabric, providing a finished product for table throws and hanging banners. If larger production is required, an automated table cutter would be an option. Most automated table cutters use blades to cut the fabric, but laser cutters are also now available. The advantage of a laser cutter is its ability to seal the edge of the fabric as it cuts.

The most popular method of displaying fabric - especially for in-store displays or backlit - is to sew a silicone or PVC strip onto the edge of the fabric. This will then insert into a groove of the frame, also known as silicone edge graphic (SEG) displays.

For low volume, a sewing machine would work well. Lining up the silicone strip while maintaining the silicone is a challenge. Bunching of the fabric is a common issue if not done properly. There is also a self-adhesive strip that can be placed onto the fabric to replace sewing, which works great for smaller frames. The strip is slower to apply and more expensive. If your budget allows, and you anticipate higher-volume SEG jobs, an automated sewing system would be ideal. They have a conveyor belt for the fabric and will automatically feed the SEG strip. It's very easy to use, even by a new operator.

As for finishing pole pockets, table throws, banner stands or adding grommets for hanging banners, sewing is the most common. There are also tapes used for both hem and table throw that produce a pole pocket or attach to the banner stand. A pillow case structure with a zipper should only be done with a sewing machine due to the amount of stress on the seams.

Display Hardware
Banner stands are the least expensive, available in various sizes and the easiest to display and package as you just roll up the banner like a common house shade. Flag hardware's most common use is feather flags - they stand tall and are very easy to display outside a business. Flag poles and hanging flags are more commonly used with nylon fabric for longer outside use. Pillow case structures are manufactured with tubular pipes that snap together. The fabric is then stretched over the frame and a zipper on one end is closed to pull it tight. Available in different sizes, these structures can be put up quickly and can be customized to almost any size or shape. Their ease of installation makes them great for temporary displays.

Sky boxes for trade shows use the pillow case hardware. SEG structures are common for in-store and backlit displays. They are typically constructed with straight strips of metal with a thin groove to allow the insertion of the SEG strip with the fabric. They are attached together with screws or a connecting piece. For backlit, the frame is thicker to allow the installation of lights into the frame.

Why Fabric?
Fabric will appear richer, look higher- end and won't show seams for larger displays or produce glare from external lighting. The best part is fabric is much cheaper!

I realize a vinyl shop may argue that vinyl material costs are cheaper than fabric, but let's compare the two options. To ship a paper or vinyl display, it must be rolled and placed in a tube, for which UPS and FedEx just raised their rates.

Fabric can be folded and shipped in a small box. Fabric displays can typically be installed quickly by one person without tools. Imagine the cost savings at a trade show - you wouldn't have to pay the high labor cost of union workers. For an in-store display, a single store clerk can change out the fabric display with little or no training. Fabric can be washed and reused. Fabric displays can be created in any shape and size - it's up to your imagination. Hanging fabric displays are also lighter and safer if they fall.

But the best advantage? Fabric is the greenest solution. The inks are water- based (dye sub and dispersed), so there are no nasty volatile organic compounds, and the polyester can be recycled or even manufactured from recycled yarn. In some areas, government regulation will require the use of fabric. Visit Europe or western Canada and try to find any material that is not fabric hanging on public structures. That's why I pose the question, "Why not fabric?"

Markets
The first and most common market for fabric displays has been trade show graphics. Currently about 70% of these displays are fabric. In-store displays are starting to quickly rise. Backlit displays were the first to take hold in stores, and those customers have seen the benefits of fabric and are expanding their use.

Fabric can be used for almost any application - museums, events, churches, home décor, casinos, airports (notice it the next time you fly), new buildings, restaurants, wall coverings, etc. The list of uses is endless - education is the key! Once a market understands the benefits and beauty of fabrics, there's no turning back.

Conclusion
Fabric is here to stay and grow. If you are not offering fabric to your customers, a competitor will. If you do not want to make the investment until you have fabric customers, you can still offer it by outsourcing to a number of great companies that specialize in wholesale printing. There is no reason to wait - start offering digitally printed textiles today!

Ken Bach, a member of SGIA's Digital Textile and Décor Committee, has over 30 years of experience in the digital imaging industry, including customer service, field service and business development. Ken has been a nationwide Director of Service and Sales since 2004 with customers such as HP, Mimaki, Vutek, Cannon and Agfa. In this role, Ken was providing hardware and software solutions to his customers. For the last 10 years, he has focused on the digital fabric printing and the dye sublimation industry. He brings a unique perspective looking at hardware, applications and supplies, keeping up with industry trends. Ken is currently the Business Development Director for Aberdeen Fabrics, a US mill providing high-quality printable fabrics produced in the United States directly to the graphics industry.

This article appeared in the SGIA Journal, September / October 2018 Issue and is reprinted with permission. Copyright 2018 Specialty Graphic Imaging Association (www.sgia.org). All Rights Reserved.